I take extreme care in preparing each print personally, using the best imaging technology available to the best of my abilities, that I improve year after year, with the sole purpose of producing work that will delight you, the owner. My materials and techniques are gold-standard in their class and my prints are an elegant accompaniment to any home, office, or boardroom.
There is a huge difference in viewing photographs on a computer display versus seeing fine art prints in person; only the prints show the light, depth, texture, and delicate nuances of my images and the materials on which they are printed. I encourage you to zoom in one of my images, explore the details and imagine it on your walls. "
The Limited Edition is designed to complete your walls: imagine a beautifully hand framed piece, with his time-less look, hanging on one of your best walls and the pride it will bring to you when you are showing your home to your guests.
Every image is printed in limited runs personally by Francesco to ensure the highest care and quality in producing the print: to protect your investment, the price is raised by 5% after each sale.
For your peace of mind, the Civil Code Section 1740-1741 of the State of California in regard to limited editions is carefully followed by accounting for every image sold. Each limited edition print is also registered on Hahnenmüle’s My Art Registry (http://www.myartregistry.com) to further guarantee your investment.
Francesco prints in-house using the latest Canon PRO-2000 24" Printer with LUCIA PRO ink set plus Chroma Optimizer.
Francesco uses museum quality Hahnemühle and Canson Premium papers, the very best fine art papers on the market; each paper is purposefully chosen by Francesco depending on the image to enhance its qualities.
Francesco will then matte the print using Museum Grade Rag mats, 100% cotton mat board used by museums and those seeking the highest level of protection.
Cotton gloves will also be included to handle your print, along with Francesco's personal suggestions for framing it, and a Certificate of Authenticity with serialized number hologram. When properly handled, your print is guaranteed to last a lifetime and more.
All Limited Edition prints are also hand-signed and numbered.
The print is delivered matted and ready to frame or can be optionally delivered already framed with a beautiful Museum Quality custom frame that Francesco will choose to match it: the anti-reflection UV glass will protect your print for a lifetime and more.
For any question, chat to with us by clicking on the icon at the bottom right of the page.
Any flawed or damaged prints will be exchanged without question. All returns must be in as-received condition and in the original or similarly durable and insured packaging. Please contact us for return details if you are unsatisfied for any reason.
Original photography by Francesco Emanuele Carucci Photography.
All images copyright © 2019 Francesco Emanuele Carucci Photography.
All rights reserved. No reproduction of any kind without prior written consent.
San Francisco, California, USA.
The Golden Gate in San Francisco is on fire! Or it looks like it's on fire when it's surrounded by fog and mist during a warm autumn evening, and it's framed accordingly. It's a wonderful metaphor of the two cities behind the bridge, San Francisco and Oakland, so different, and both on fire for different reasons. San Francisco is the hot cultural capital of USA, smug and posh, but open and diverse. Oakland is the working horse of California, also the center of attention during the days of the 99% movement.
While I was driving into the city with the idea of shooting a sunset on the bridge, a thick fog welcomed me: "Hope it stays as is until the bridge". I crossed the Golden Gate with very limited visibility, but when I drove up to the vista points, I left the fog behind me, under me, and joined a pretty consistent flock of photographers attracted by the same event.
This image was taken on a Sony A900 full frame camera, with a long focal length (approximately 200mm) with the intent of compressing the planes, and a long exposure of 30 seconds to smooth the mist around the base of the bridge. The red tone comes naturally from the city and the bridge lights around the Bay.